Showing posts with label Epsilon Sketchbook. Show all posts
Showing posts with label Epsilon Sketchbook. Show all posts

Thursday, April 25, 2013

First Dragonfly of 2013

Common Whitetail Dragonfly. Pen and watercolor by Ken Januski.

Well, first identified dragonfly I should say. We saw one very briefly about two weeks ago, but only long enough to see that it was a dragonfly. We couldn't begin to make a guess as to its identification.

This one presented a similar but different problem. We could see it, in fact long enough to look in binoculars and take some photos. It only flew when I moved to try to get a different angle for a photo.

On first glance neither I nor Jerene found it to be familiar. All the spots on the lower side of abdomen made us think it was one we'd never seen before, perhaps a particularly early flyer. But when I got home and looked at the photos I didn't really notice the pattern. Instead I noticed the thick, short abdomen.

I imagine this is similar to books on birding that show birds of a similar color along with birds of similar species taxonomically. Often two birds will have a similar shape and they in fact are similar in terms of species, unlike birds of similar colors which may have little relation to one another.

When I saw the abdomen I thought immediately of one of the few species I'm somewhat familiar with, about 10 species I might add. Common Whitetail. But where was the white tail? Some guides showed that the female or immature whitetail can have markings on the abdomen similar to this and don't in fact have a white tail. However they all showed strong markings on the wings, much like the adult male.

These had no markings. So back to flipping through the guide books, all without success. Finally I read about the species in Dennis Paulson's Dragonflies and Damselflies of the East. There I read that newly emerged dragonflies often lack wing markings! For me that more or less seals it. But there was one more thing. The photos showed a laterally striped head  of ochre and brown. Sure enough that's what the photo in the Paulson book shows.

So I decided it might make a good subject for my last new work before my Stillman and Birn sketchbook demo on Saturday. I've only done one work in the Epsilon sketchbook, which is specially designed for ink work. This is ballpoint pen with watercolor wash on a 7x10 page. As usual the pen worked fine. My excessive washes always buckle the paper a bit. But it will eventually dry flat. As I said I don't normally work in ink and watercolor. But I think the Epsilon sketchbook might work very well for those times when you want a detailed pen drawing with just a hint of color.

For anyone who is interested in seeing the demo this Saturday there is also a discount on both Stillman and Birn sketchbooks and Caran d'Ache Neocolor II watersoluble crayons. See the notice on Stillman and Birn Facebook page.

Wednesday, April 17, 2013

Back to Sketching

Scolid Wasp on Garlic Chives. Watercolor by Ken Januski

Wood Duck and Canada Geese in Wissahickon at Mt.Airy Bridge. Crayon and wash by Ken Januski.

Yellow-rumped Warbler in Persimmons. Watercolor and Pen by Ken Januski

OK. Enough of those photos! They do help with documentation but they always seem lacking in expressive power. As I said in another post the opportunity to try a bunch of Stillman and Birn sketchbooks for the demonstration on April 27 has gotten me to experiment with various subjects. In most cases I've looked at these subjects for awhile, knew that I'd like to do something with them, but just couldn't figure out how to go about it. For some reason this demo has spurred me on to try many of them.

At top is a 7x10 watercolor on Stillman and Birn Beta paper. I used to collect and draw insects that I found, rendering them with a technical pen and viewing them under a microscope. It was a big switch from the 6x8 foot abstract paintings I was doing at the same time. In any case I came to see how fascinating insects were and spent a lot of time identifying what I saw.  A year or so ago I took some photos of the wasp at top in our garden. It's a very familiar wasp.

But  my familiarity with insects has lapsed. I believe it's a scolid wasp. In any case I've always loved the combination of it and the garlic chive flowers in the photo. I've shied away from the whiter Stillman and Birn papers but I've seen some people, like Debbie Kasari at Drawing the Motmot use it to great advantage. So this seemed like a good paper for the brilliant whites of the garlic chive flowers.

At bottom is another such photo, and scene - Yellow-rumped Warbler, with just a blush of orange, perched in the Persimmon trees at the dunes of 'The Meadows' at Cape May in the fall. The combination of orange colors, grays of the persimmon trunks, and often brilliant blue skies of October is a scene not to be forgotten. This is done on 7x10 Stillman and Birn Epsilon paper, a paper meant for line, especially ink line. It also is brilliant white like the Beta paper. I decided to render it with a ballpoint pen, then use a light watercolor wash over it. It worked well but I think would have been better off without the blue background. This isn't a style in which I normally work. But I think anyone who likes to combine ink and light wash will find this paper very desirable. Though I don't normally work this way I'm sure I'll try it again. It is truly amazing to realize what an arsenal of tools I'm building up.

Finally amidst all of yesterday's photos I did try a new Stillman and Birn 5.5 x 8.5 inch Zeta sketchbook, doing a quick pencil sketch of a Wood Duck and two Canada Geese on a large rock in the Wissahickon. It's viewed from the Mt. Airy Bridge and yes that is my attempt to render it, in the splendid glory of Wissahickon Schist of which it's made, in the foreground.

I had hoped to actually use the Caran d'Ache Neocolor II crayons on the spot but since time was limited. I added the color with the crayons and wash from various waterbrushes later in the day yesterday and this morning. Again I opened the sketchbook so that it was flat and used it as one whole sheet of paper. I've often seen this used very effectively and so I've wanted to experiment with it. The paper worked beautifully. But I think I just didn't make the best composition. On the other hand it's my first in the field use of this sketchbook. I see great possibilities in the future.