Wednesday, January 18, 2017

Some More Firsts of 2017 and a Reminder About the Artistic Status of Wildlife Art

White-throated Sparrow Eating Staghorn Sumac. Watercolor by Ken Januski.

It's been a slow artistic start to 2017, probably due more to the number of bird censuses we do at this time than to any other factors. In any case I have been somewhat busy over the last week or so and am including that work here.

Above is a 9x12 inch watercolor of one of a number of White-throated Sparrows Eating Staghorn Sumac, seen along the Manayunk Canal in Philadelphia. It's on a new paper for me, Saunders Waterford.

Nashville Warbler on Bean Trellis. Moku Hanga Proof by Ken Januski.

I also decided to take a stab at traditional Japanese woodblock printmaking, called Moku Hanga. Since it can take a while to learn I've debated whether it was worth the time involved in learning it. Finally I decided to bite the bullet and buy the minimum materials required to give it a try. Readers may be most familiar with it as ukiyo-e prints from the 19th century. It is a watercolor based printmaking and thus uses far safer and more environmentally friendly materials, though it also has purely aesthetic appeal. In any case this is a first proof of the black block. When I receive some newly ordered supplies I'll be experimenting with additional color blocks.

If done correctly Moku Hanga allows for very precise registration which should allow colors and black to blend seamlessly. We shall see. That's never been a high priority for me but it's worth experimenting with.

Nesting Bald Eagles at Heinz NWR. Brush Pen Field Sketch by Ken Januski.

I was horribly lax with field sketches last year despite my stated goal of doing more of them. So at least this year I can say I'd done a number by mid-January. These are all from Heinz NWR based on birds seen last weekend. They include two nesting Bald Eagles above, a well-hidden Northern Saw Whet Owl below and a Black-headed Gull at bottom. The latter are life birds for us. There's nothing quite as exciting as sketching a life bird from life. Photos don't even enter the competition.

Northern Saw Whet Owl at Heinz NWR. Brush Pen Field Sketch by Ken Januski.

Black-headed Gull at Heinz NWR. Brush Pen Field Sketch by Ken Januski.

Lastly I was reminded recently of the artistic world I've abandoned: that of mainstream galleries, museums, etc. This occurred due to my being contacted by an old artist friend of mine. As I looked at her recent work and exhibitions I was reminded that though I once exhibited like that, though not as much as I would have liked to, I can no longer do so.  Most galleries and museums will not take seriously art that uses wildlife as subject.

But I've known this for the entire time I've focused on wildlife art, about 10 years now, so I'm not complaining. I knew exactly what would happen when I chose to use nature, especially birds, as subject. On the other hand I rarely try to show in wildlife galleries or exhibitions because to a large extent I don't like the art. In fact it more often illustration than art. I've also known this for a long time so it's not a complaint.

Though not intentionally or willfully I guess I've always been an iconoclast, even though I'm one with great sympathy for past accomplishments in the arts. Vital art always revives clich├ęs and makes them live again, regardless of what art establishments of whatever sort think art should be. So I'm quite happy working as I am, with few venues in which to show or sell, but still able to do exactly what I want. You can't beat that!

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