Showing posts with label working from life. Show all posts
Showing posts with label working from life. Show all posts

Thursday, April 7, 2011

First Warblers of 2011




Each year my belief in working from life is put to the test with Wood Warblers and Kinglets. I'm almost reduced to tears, at least to the state of rank beginner, when I try to sketch or paint them from life. And yet I do plod on. The main reason for this is that they're such beautiful birds. It's always a pleasure to see them, especially the warblers. But the temptation is always to just grab for the camera and forget about the futile attempt to sketch them. I confess I often do just this. But it always bothers me.

And when I see the work of artists who do work from life and manage to capture wood warblers I know why I pursue this. Their works seem worthy of the birds. They capture their beauty as well as their vitality and the actual experience of seeing them. I've done many drawings and watercolors of warblers based on photos I've taken. I like them. But they don't compare to how much I like the work of artists who work from life and capture warblers. I was reminded of this while rereading Darren Woodhead's 'Up River' the last few days. All of his work is in the field. And it shows. It just overflows with brightness and life. Since he's in the UK there are no wood warblers but there are similar birds there, as well as butterflies, another subject that looks best when done from life.

We had some high 70s weather here on Monday so I thought it might be worthwhile to go out and check for some migrants coming in with the warm weather. Sure enough: my first Pine and Palm Warblers of the year. As well as Golden-crowned Kinglets. They're all portrayed in the watercolor at top. This watercolor is based primarily on my field sketches, which are also at top. I also used my photos but only to check some detail that the field sketches missed. As you can see it leaves something to be desired. But I forced myself to work this way and will continue to do so. The work I admire most does not primarily rely on photos. There is an exuberance to it that I think happens precisely because it does not rely on photos.

Other birds seen the last few days have included Brown Creepers, Hairy Woodpeckers, Eastern Phoebes, Northern Flickers, etc. Still waiting to see an Osprey overhead, or maybe a Bald Eagle like last year, and of course one of my favorites, the Blue-Headed Vireo. Speaking of which it's hard to believe but soon the main song in the woods will be the Red-eyed Vireo. Spring and then summer are on their way.

Saturday, November 27, 2010

Thwak!


Thwak!! That was the sound the young Red-tailed Hawk made as it left its perch 10 feet above and in front of us and landed at our feet, less than 6 feet away. I assume that he thought he spotted something though as we watched and sketched him today at Morris Arboretum we never saw any sign of him actually capturing anything. The next thing you knew he flew straight at us missing our heads by less than three feet!

I've been reading a wonderful book over the last few days called 'Modern Wildlife Painting' by Nicholas Hammond. It covers American and European wildlife art over the last 200 years more or less. One repeating theme is familiar to me: berating wildlife art that relies too much on photos and too little on real life experience and field sketching. He mentions artists like Liljefors who were active hunters, who lived in the natural world, and knew it through experience.

Being a city dweller, even though I grew up on the outskirts of a small town with farms and fields nearby, I realize that my experience of nature is limited. I don't 'live' in it, except as it exists in cities. So I can ID a hawk. But I really can't tell you much about it. Today's experience was exciting in the sense that it gave us a glimpse into the hawk's life from his perspective, not ours. He was hunting. We were unwitting witnesses.

I did a field sketch of the hawk that is below. The bottom sketches show him after he landed right in front of us. At least one of them captures I think the sense of movement as he tried to plant his feet and talons firmly on the prey, which may or may not have actually been there.

At top is a quick watercolor based on a photo I also took at that time. What's most amazing to me about the photo, and what I tried to capture in the sketch, is the way his legs showed enormous strength and his wings were pulled up as though he was going to use them as weapons. In doing the watercolor I tried to capture the strength and forcefulness of the hawk at this time. In some ways it doesn't really look like a hawk. But this is pretty much what I saw. Animals can always surprise you, as long as you take the time to visit them in their world.


I also did some quick field sketches of Canada Geese at Valley Green a few days ago. They're below. They are a very common, and often unloved, bird. But they are wonderful subjects for drawing.

Friday, July 17, 2009

Quick Will Willet Continued


I believe this small watercolor of an Eastern Willet seen at The Wetlands Institute in Stone Harbor, NJ this year is done. I'm satisfied with it, especially as it's my first painting of a willet. More than most artistic mediums though, watercolor doesn't do well with a lot of reworking. So even though there are some parts that bother me, I think it's best to leave this as it is, while it still has some freshness.

Though Eastern Willets are fairly common shorebirds we'd only seen them a few times before, the first time being when we took a Cape May Birding Observatory workshop on spring migration. They have never been all that close. On our trip to Cape May this April they were all over the place. This bird was only about 10 feet away. So it was nice to be able to get such good looks at them. They are a fairly nondescript bird for a shorebird, though their bluish bill and legs are noticeable. Their feather markings though are pretty much the same all over. There are no noticeable areas of contrasting color that stand out. At least not until the willet flies when you do see a huge white stripe on the wings.

Now that I'm starting to force myself to work from life I hope that my next paintings of Willets will include some work from life. Hopefully that will be soon!