Saturday, December 10, 2011
Canada Geese with Fallen Beech
With just a bit of daylight left after gallery sitting at the Manayunk Roxborough Art Center I decided to try the quick Bic pen and watercolor sketch above. I continue to like this manner of working. This is based on a photo I took a week or two at Morris Arboretum. I knew that I wasn't going to get much detail on the two geese. But I was really more interested in the entire scene: bright fallen leaves of autumn, huge fallen beech, and two Canada Geese on a sand bar in water that reflected all the colors around it. A sketch like this is just another way of exploring that scene and determining whether or not it deserves further exploration in paint or print.
The MRAC Holiday Show in Philadelphia continues on Saturday and Sunday from 10 a.m. until 4 p.m. tomorrow, the following weekend and in January. Above are two of my framed prints that hang in it. These prints as well as prints in mats are available for sale there, as are the works of all the other MRAC artists who are exhibiting. It is located in the rear of 419 Green Lane in Manayunk/Roxborough.
I had one more thing to finish up before starting something new like the quick watercolor at top.
This is the finished version of the small 4x6 osprey linocut. I finally finished adding watercolor to the edition of nine prints. This photo is a bit dark. The actual print is a bit brighter than this. There is much more that can be done with this method of working, as I mentioned in another post. But this served as a good introduction to me. It's very odd coloring in each of the prints, almost like going back to grade school. On the other hand some artists do incredibly sophisticated work with this method. I'm sure I'll try a couple more prints in this method to get a better idea of how it works for me.
Friday, May 28, 2010
Those Willows



For a couple of years now we've seen Willow Flycatchers at the wetlands at Morris Arboretum. But we've always noticed them in late summer or early fall. So we've never known if they nest there or not.
Today I got a clue when I found one singing there. That's no guarantee it will breed. But it is starting to get late for migrants and the wetlands SEEMS like good breeding habitat. We can always find them at Tinicum(John Heinz National Wildlife Refuge) in Philadelphia in the summer. But it would be nice to know they're also almost next door, at Morris Arboretum.
Over on the wildlife art thread of birdforum.net someone suggested a new thread on 15 minute bird paintings. That was my intent with the one of the Willow Flycatcher here. It's based on a field sketch I did today, also above, as well as some photos I took. Due to the drab nature of these birds they are a bit difficult to deal with. But nothing ventured nothing gained. I also tried both in the field sketch and in the painting to portray the bird singing. As you can see in the field sketch I just didn't get it right. In the watercolor I had the luxury of looking at a photo I took so it may be a bit closer to that open-billed, head-thrust-back, chest-puffed-out pose that many passerines take when they sing.
Also included are some field sketches of Tree Swallows which were kind enough to stay in the same position and give me a decent chance at getting them down on paper today.
Sunday, July 12, 2009
Pleasures of Summer Shorebirds



I continued my quest for more live field sketching today and was able to convince my wife to do the same! We spent about 2 1/2 hours at Morris Arboretum in Philadelphia. We hoped that we'd finally see a Green Heron there and sure enough we saw one very quickly and were able to get many looks and do a number of live sketches.
But the most exciting part of the trip was shorebirds. We're still beginners with shorebirds. We tend to see them at Cape May in the fall and this year in the spring. So we've finally started to at least have a handle on them. We generally can at least differentiate a sandpiper from a plover. As I've continued to read about them one truism I've run across is that they're migrating back south by July. But we never see them in summer. Maybe we would if we went to the shore in July. But we just don't see them in Philadelphia. 07.13.09 edit -> I should say "we don't see them." Others might. If we spent more time at Tinicum in summer I'm sure we'd see more shorebirds there. In fact we may need to test that theory very soon.
One of the pleasures of birding is when you actually see something that you've read about. That happened today when we found five species of shorebirds: Killdeer, Greater Yellowlegs, Spotted Sandpiper, Solitary Sandpiper, and Pectoral Sandpiper. The more we looked the more we found. I assume that all, except possibly the six Kildeers, were migrating. We had to puzzle through the Pectoral but I'm pretty sure that's what it is. It was smaller than normal but fieldmarks indicate that it's a female, which is smaller and migrates in mid-July. The sheet of Killdeer drawings includes the Pectoral in the upper right corner.
After looking at more guidebooks, getting a suggestion that it is a juvenile Pectoral, and looking at my notes (e.g. olive legs, always crouched, etc.) I'm now wondering if this could have been a Least Sandpiper. The clean line that ended the streaking on the breast convinced me it was a Pectoral. But it did seem sort of large for a Pectoral (which is one reason I thought female which are smaller), it was often in a crouched position like a Least, and the legs were sort of olive. And they seem to be early migrants based on what I've read. So many things point to a Least. Except the clean line on the breast streaking, which still indicates a Pectoral. So even with all my sketching and notes it may remain unknown for certain.
There's also a bad sketch of a Solitary Sandpiper. What's worst about it is that I've lost all of the white on head and neck. So it's both dull to look at and wrong in fact. Nonetheless I noted enough details as I drew it to clearly identify it when I went to the guidebook.
Which leads me to another reason to sketch birds: so that you SEE them better. There is an ongoing discussion on the PA Audubon birding list today about whether it might be wise to buy a good camera before good binoculars if you have an interest in birds. Most people chose binos, and I certainly would, but some people suggested a camera. My suggestion: buy the best binocular you can buy, and a sketchbook. Drawing a bird forces you to LOOK at a bird and make decisions about fieldmarks that you don't have to do with binoculars and surely don't with a camera. I was even reading elsewhere about people shooting photos and then going home and comparing them to a guidebook to figure out what they'd seen. This seems crazy! The beautiful thing about sketching, regardless of your ability, is that it forces you to look more closely.
I was tempted to ask the person who wanted advice on binoculars or camera if he wanted to bring home anything from the experience. If you want to bring home a trophy a camera will work, though you'll probably be unhappy with the quality of your trophy. It's not that easy to get a good photo. But if you want to bring home a better understanding of birds, an improved ability to identify them, and maybe an art work, then buy yourself high quality binoculars, AND, a sketchbook!
Monday, September 1, 2008
Confusing Fall Flycatchers

Jerene and I spent most of yesterday out birding in Philadelphia. We spent the morning at Carpenter's Woods and the afternoon at Morris Arboretum. One of the surprises of this August has been the discovery that there are a number of migrating warblers, and other migrants, around at this time of year. I'd read that some shorebirds actually start their southern migration as early as late June, but I didn't realize until this year that warblers were also on their way by mid-August or earlier.
So I've seen a number of warblers over the last few weeks, most of them at Carpenter's Woods. They include: Blue-Winged, Canada, Black and White, American Redstart, and Common Yellowthroat. Yesterday we added Magnolia, Black-Throated Blue, and Chestnut-Sided at Carpenter's Woods. Despite the famous line about "confusing fall warblers", probably from Peterson's Field Guide to the Birds, we haven't really run into that many difficult fall warblers.
Over the last few weeks though, we have run into plenty of confusing fall flycatchers. The main problem is that many of them are neither singing nor calling. No 'peeaweees', 'che-BEK!s', 'PIZZZa!s' or 'FEEBEES' to give a clue. For the most part the birds are silent. When the view is only from behind, as it was for a flycatcher at Carpenter's Woods last week, is the bird an Eastern Wood-Pewee or an Acadian Flycatcher? Or yesterday at Morris Arboretum, what were the many flycatchers? The huge eye-ring of one, combined with color and tail-flicking, determined it to be a Least Flycatcher. But we didn't hear the familiar 'CheBEK' that used to waken us at Shenandoah National Park. Fortunately the other clues were enough for identification. But what about the other flycatchers we saw: strong white throat, light vest, yellow, lower bill and fine, narrow eye-ring? We finally narrowed it down to Willow/Alder. According to David Sibley first year winter Alder's have a 'distinct but narrow eye-ring'. These two birds both did but were they first year winter birds? I leaned toward calling them Alders due to their fine eye-ring but finally had to just call them Willow/Alder. If only one of them would have called.
As for the back view of the Pewee/Acadian I finally decided on Acadian, due to the somewhat oval eye-ring. The next day I came upon another flycatcher at Carpenter's Woods, this time a grayer bird with noticeably longer primary projection. He also flew back to the same perch, like Eastern Wood-Pewees often do. So I decided he was an Eastern Wood Pewee. Then, in an unusual occurrence for August flycatchers, he sang his plaintive 'pawee'. I was thankful to finally have some aural confirmation for my identifications.
All in all it has some very challenging birding, necessitating the weighing of many clues to make a final, but often tentative identification. So I stand with my headline: 'Confusing Fall Flycatchers.'



